![]() The extensive use of Nazi-related motifs puzzled American listeners in the late 1970s. A quiver of catchy riffs carries a dozen embittered songs, only to resolve in an unexpectedly earnest plea for harmony. ![]() But the most remarkable thing about the record was its obsession with fascism, Nazis, and the Holocaust. ![]() Armed Forces represented a leap for the English singer and his band, the Attractions-a harmonic and sonic transformation. But when Costello delivered his third album, in January of that year, it was a reproach to anyone who thought they had figured out his shtick. Critics adored his wordplay, and audiences made his first two records big hits. By 1979, Elvis Costello had established himself as an acerbic songwriter with a penchant for pungent turns of phrase, a sort of New Wave Bob Dylan.
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